Little Gems #2 – ‘Ignore THIS Track’

DaVinci Resolve 12: New timeline navigation option in the Color page

What’s one of the fun things when working in a brand new, completely updated version of the software you use professionally? Why, discovering all the little features that didn’t make it into the marketing material! That’s what this little series is about. As I discover nifty stuff about Resolve 12, I’ll point them out right here in this Little Gems series.

Imagine you’re working on a 300-shot timeline with a ‘letterbox mask’ on the top-most tracks

What do I mean by that? Notice in this next screenshot how I’ve got two long clips on Tracks V3 & V4… they’re the same full frame black .jpg, cropped to create a letterbox.

All tracks active in the Color Page of DaVinci Resolve 12

Notice how all four tracks are active. Also notice Shots 1 and 2 are the full-frame black overlays for letterboxing.

Also notice how the black JPEGs are also shots 1 & 2 in our thumbnail timeline. Why have we used these JPEGs instead of Resolve’s built-in letterboxing tools?

There are a few flashback sequences where the Letterbox is supposed to disappear and the image goes full screen

This makes masking with Resolve’s built-in toolset a little tricky and using top-level tracks just for letterboxing makes a ton of sense.  But there’s a problem and it was posted on Blackmagic’s DaVinci Resolve forum a few days after the launch of DaVinci Resolve 12 Public Beta 1.

Here’s the unexpected problem that the Original Poster found when navigating the timeline with top track letterboxing while color grading:

The trouble is, when I’m grading the clips on track V1, and I pause playback, the clip on V5 gets selected, so then the up and down arrow keys cause the playhead to jump far away from where I was working.

Elliott Balsley

If you’ve color graded more than a handful of jobs on DaVinci Resolve, you know precisely what Elliott is experiencing. Basically… every time he pauses playback, Resolve re-selects those top-level shots as the active shots. If he up- or down- arrows, he jumps to the first or last frame of those shots.

In a 30 minute sequence, that’s a major annoyance.

Before DaVinci Resolve 12, the only way to solve this navigation problem was to turn those top-level tracks off, hiding the letterboxing. And if you’ve ever graded a project that was shot full frame but protected for the letterbox, you know your color grading decisions change if that letterbox is turned off vs turned on.

It’s a maddening predicament…

You need the track turned on for color grading, but you can’t navigate shot-to-shot using the keyboard without turning the track off. This gets us to…

Little Gem #2: ‘Ignore Track for Transport’

DaVinci Resolve’s Product Manager, Peter Chamberlin, chimed in with a solution that’s brand new in DaVinci Resolve 12:

There is a new feature in v12. On the color page, hold option key and select the track number on the far [Left Hand Side] of the track that you wish to be ignored for transport selection. The track number is red when in this mode.

This will hide items on this track from the thumbnails but when the CTI is over those clips you will still see their impact on the viewer.

Ideal for mattes, grain, titles, etc.

Peter Chamberlin, DaVinci Resolve Forums

Two tracks are ignored for timeline navigation in DaVinci Resolve 12

Little Gem #2: After option-clicking on Tracks 3 & 4, they turn red. The tracks are active but ignored for timeline navigation purposes while in the Color Page.

In the screenshot above, tracks 3 & 4 are active, but ignored

Notice how they’ve disappeared from the thumbnail navigation, no longer labeled as Shots 1 & 2. Now you can have overlays spanning entire timelines, keep them active for color grading decision-making and never have them get in the way of navigating the timeline on the Color page.

THAT is the definition of a power users’ Little Gem 🙂

– pat

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The Cheapest Colorist Control Surface EVER!

Colorist Josh Petok

(This is a guest post by Colorist Josh Petok)

A colorist once said using a mouse is like “drawing with a potato.” That was my motivation for buying a Magic Trackpad. When using DaVinci Resolve, Power Windows are one of the strongest tools in your arsenal. I found that using the Magic Trackpad gave me speed and efficiency, as well as taking up much less space. However, that was only the beginning.

I found a utility called BetterTouchTool which allows you to link keyboard shortcuts to gestures like: 3 finger swipe up, pinch out, four finger tap, and over 60 others. In this tip, I will show how to map your own gestures, as well as how I use them within DaVinci Resolve to make your grading faster and more streamlined.

Josh Petok is a Colorist who helps reality shows look their absolute best. From his beginnings on “The Surreal Life,” he strives to intensify drama or comedy while still keeping the presence and authenticity of reality tv. Completing work on his 47th show, Josh is continually learning and developing new methods for enhancing the shows that he works on. You can find Josh on his homepage, his blog The Current Cut, and – of course – Josh can be found on Twitter.

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Speed Demon: Copy, Paste, Remove FCP Attributes Like A Pro

If you regularly work in Final Cut Pro and have to copy / paste filters, resizes, or keyframes from one clip to another, then this Tutorial is for you!

I’ll demonstrate how to zip around the timeline with this command. Your clients might not know why you’re suddenly faster than everyone else… but they’ll keep asking for you.

If you are already familiar with the “Paste Clip Attributes” command, then watch the short version of this clip which just gets right to the point.

Note: If you already know about the Paste/Remove Attributes Commands, then skip ahead to the 4:20 mark to see how I optimize my keyboard for super-fast pasting and removing of clip attributes.

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