Controlling ‘Magic Bullet Looks’ (feat. ‘Knoll Light Factory’): Video Tutorial




"Magic Bullet Looks" preset examples

Magic Bullet Looks

Last week I was a guest on 16x9Cinema.com’s Digital Convergence podcast. Hosts Carl Olson & Chris Fenwick took me through a range of discussion topics related to color grading. Chris asked me about how I get Red Giant Software’s Magic Bullet Looks to update to my external broadcast monitor while I’m working in the Looks interface.

(In case you’re unaware, Final Cut Pro doesn’t allow custom interfaces to output live updates to the video card… the final ‘look’ needs to be applied to the clip before it is output to the external monitor.)

I mistakenly answered Chris that I don’t have a solution to this problem – forgetting that I came up with a viable workaround earlier this year.

So. This Video Tutorial is my mea culpa to Chris & Carl. It’s about how you can control Magic Bullet Looks and get live updates to an external monitor – in real time! It also features a quick little demo using Knoll Light Factory with Magic Bullet Looks to create a ‘dream sequence’ feel.

Threaded comments are turned on for this post – please post a comment. Below the video are all the relevant links for this post. Enjoy!


You’ll the “Enlarge” button to go full screen…


Links:


FTC Disclosure
I have not received compensation, goods, or services from anything mentioned in this post or in the Video Tutorial. I hope, one day, this might change. Affiliate links are clearly marked, resulting in a commission on sales (and helps support TaoOfColor.com).

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Control the Color Wheels in Final Cut and Apple’s Color


Color Wheel Fundamentals

Why do different color wheels in different pieces of software and applications act differently?

How does that answer effect our approach to color grading?

Those two thoughts came to the top of my mind when reading Oliver Peter’s excellent post, Grading with Color Wheels. Why don’t you head over there and read that post? It’s very informative and helps build the foundation for this post. I’ll wait…

Understanding how the color wheels in your NLE process the image has a huge impact on how you approach your color correction. In this post we’ll build out the concepts introduced in Oliver’s article to give us a working methodology.
Read More…

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